STIL Artikel

I am thrilled to be included in the current issue of STIL, Goetheanismus in Kunst und Wissenschaft.

For the full issue contact: Redakteur Michael Kurtz, STIL Verlag am Goetheanum, Hügelweg 53, CH 4143 Dornach, +41-61-706 42 04, stil@vamg.ch

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June 7, Sculpture show at Wells Reserve at Laudholm

The following show will be a great excuse to take a ride to beautiful Wells. I will be represented with 2 sculptures.

I am looking forward to seeing you there.

Antje Roitzsch

Sentinel III by Gary Haven Smith
June LaCombe Sculpture
POWER OF PLACE
Wells Reserve at Laudholm
Wells, Maine
Opening Reception Wednesday June 7th from 4:30-6:30pm
Music by Los Galactacos
 
Coastal rolling fields and woodland trails offer dramatic settings for 65 outdoor sculptures in granite, steel, marble and bronze by New England artists.


 
Dave Allen, Anne Alexander, Lise Becu, John Bowdren, Ray Carbone, Kate Cheney Chappell, Miles Chapin, Dan Dowd, Peter Dransfield, Paul Heroux, Mark Herrington, Andreas von Huene, Eugene Koch, Wendy Klemperer, Cabot Lyford, Jean Noon, Jac Ouellette, Roy Patterson, Meg Brown Payson, Mark Pettegrow, Patrick Plourde, Stephen Porter, Antje Roitzsch, Constance Rush, Cat Schwenk, George Sherwood, Gary Haven Smith, Jordan Smith, Cynthia Stroud, Sharon Townshend, Digby Veevers-Carter, Dan West, Melita Westerlund, John Wilkinson, Joyce Audy Zarins.
 June LaCombe SCULPTURE 

Sculpture show: Autumn at Hawk Ridge Farm 2016

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Some of you might be aware of the sculpture show curated by June LaCombe, Autumn at Hawk Ridge Farm.

Here is the link to images of the sculpture show: Autumn at Hawk Ridge. Please browse through them.  It is not the same as seeing them first hand in nature.  But you will get an idea of the great diversity of sculptural expression.

You can see my sculptures in the company of so many great pieces by about 30 Maine artists.  My sculptures are images # 13, 28 and 81.

Here is a photo I took of “Uprising” on the sculpture path.  This is the first time this piece is installed in the woods.  I always had it in open spaces.  See what you think and let me know.

And as a preview, I am inspired to work on different shapes and forms and created the first model in copper. It also can stand as a smaller sculpture by itself.  Just in case I want to play in a bigger scale, I might leave my bending tools in a different spot for the winter, so they will not be covered by big snowbanks.  Well, it depends on how cold it will get this winter.

Enjoy the turn of the season and keep beauty in your life.

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Spiral Shape 

 

 

Sculpture found a new home

New Leaf 2 had been exhibited during the Fall show at Hawk Ridge Farm.  June LaComb curated the show on the beautiful woods trail.

I am excited to hear that it found a new home and so much interest that I was commissioned to create another similar one. This will be a fun project before it gets too cold to work outside.  In fact I have more curvy  shapes floating through my mind and hope to have enough time to play with more forms.  First I will order some steel!

New Leaf 2, made out of steel rod

side view

installed at Hawk Ridge, Maine

New Leaf 2 dimensions are about 5 x 3 x 2′

the patina is beautiful orangy rust

New Finish

I have been living with this sculpture for a few weeks and liked it.  But once I added an encaustic finish to my latest sculpture, this one needed to get smoother as well.

This Piece “Return” invites to be touched.  It looks smooth and flowing, therefore the surface needs to have that quality and continue that experience.  Finally I found a way to execute this with an encaustic finish.  It turned out a little redder than I expected- but why not add a little color?

smooth finish

smooth finish

12 in. in diameter, 8in. high

12 in. in diameter, 8in. high

nice view to see that it is carved from both sides

nice view to see that it is carved from both sides

Spiraling Beauty- sculpture to touch

With this sculpture I explored different textures.  I debated if I should try colors with this piece.  I ended up with slightly pigmented encaustic as final surface treatment.  It gives it  a warm glow. And it is so smooth and soft to the touch- that is what my sculptures are all about.  Sculptures to touch!

The other goal with working in cement is to create pieces that can withstand the weather and be outside in the garden.  This piece should be smooth enough that no water collects, and avoid problems with freezing ice. I will leave it outside this winter and test it out.

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carved

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sanded

warm surface treatment

warm surface treatment

with nice smooth finish

with nice smooth finish and wonderful to touch

“Return” a Sculpture in Cement

Here is my 2nd sculpture in cement “Return”.

This is a sculpture I have done in bronze before. My challenge was to first work the top side, wait until the cement had hardened enough to turn over and then carve the 2nd side.

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It worked beautifully.

But the sculpture invites to be touched- and the cement is pretty rough. So I waited patiently for the cement to cure.  I used the time to order a sample set of diamond sanding pads.

I was surprised how well I was able to sand the piece down by hand. It now feels smooth enough to touch. Also the edges got nice and crisp. I took it to 400 grid.  The sample set goes up to 3600, but I found the difference of the next pads was so minimal that I left it at 400.

Now I will let the piece totally dry out and I might put a sealer on it.

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